Thursday, November 30, 2017

Lexus UX Concept presented at the 2016 Paris Motor Show


UX Concept takes Lexus' trademark designs and gives it a thorough reinterpretation. Furthermore, the changes echo the brand's commitment to give its models a unique character to go with the strong concept that powers it. It may have the same UX Concept, but it has an inside out design concept.
The powerful design is complemented by modern and imaginative technologies that give passengers and the driver a wholly immersive ride. This feeling is boosted even further by the cockpit's ergonomics and innovative HMI technology. This car is also the first one to have the Kinetic Seat, which is a breakthrough technology designed by Lexus to make their car seats more in tune with the needs of the occupants.
Lexus UX Concept presented at the 2016 Paris Motor Show benefits from the car brand's expertise in the SUV segment. Lexus was the first to come out with an SUV in the 1990s with its LX and RX models that mixed together off road performance with luxury. The RX 400h was the first premium hybrid SUV, coming out in 2004, while the NX SUV showed the world that striking design can also be useful.
Today, the premium small sized SUV market is the fastest growing market in Europe. Younger customers are looking for ways to upgrade that would allow them to have cars that are styled uniquely with an engaging driving feel and a flexible interior. Customers who want premium models, on the other hand, are looking for ways to downsize without sacrificing driving position, roominess and comfort. And this is the reason why this segment has taken the biggest share in the SUV market.
The UX Concept underlines Lexus’s commitment to attract the younger and always-connected customers. This is the ‘Urbanites’ group and this is the first time that Lexus has paid more attention to the group.
EXTERIOR DESIGN
ED2 interior designer Alexandre Gommier says that the inside out design concept was the result of countless hours of discussions within the design team. The team wanted to show a stronger visual design that is focused on the human aspects of the car. They wanted a strong correlation between the inside and exterior of the car and this congruence was a key goal. The exterior would hint at the designs you find in the interior.
Thus, the inside out concept was born and it became the cornerstone of the design process, helping to create a strong congruence between the interior and exterior design. Looking at the car from the top, you would see a strong X-shaped flow from the cabin outwards and the other way around.
Looking from the front, the wings blend into the cabin to form the casings for the e-mirror screens that are used to display the images captured by the rear facing cameras. The dashboard is lower than the screens to make it look deconstructed and to improve forward visibility.
Then looking at it from the rear, you would find that the bodywork integrates seamlessly into the cabin, and this is where you find the main skeletons for the headrests of the rear seats.
The X-shaped movement is also seen by the powerful wings, while you have wheel arch cladding that is aerodynamically efficient and adds another dimension for the design.
Inner skeleton you can see
The inside out design theme is underlined by the roof bars, door cameras and wheel arches. These elements have the same finish and form as a continuous skeletal structure. It would appear like the roof bar goes into the cabin and rises out as the door camera mounts.
Paintwork that defines form
UX Concept makes use of body color that underlines the car's shape. Without any character lines, the Immersive Amethyst paintwork gives it a multi-layered depth that features volume changes and definition. This helps define the car's design as volume-oriented instead of a line-oriented styling.
Innovative details
The design concept is also seen in the minutest details that you see all over the vehicle. These little elements are actually a reinterpretation of the brand's trademark design details.
For instance, the L-shaped daytime running lights are no longer placed beneath the main headlamps but are now positioned so that it looks like it pierces through the headlights. The rear lamp has a 3-D look and is embedded in the spoiler. And both the front and back lights give the car's body a defined horizontal axis.
Light fibers cover the air vents at both ends of the front bumper in a grille pattern. The grille itself has a mesh pattern that goes out radially from the Lexus logo and onto to the light fibers, making the car look wide and daring.
It’s highly interesting how the tires are made up of a mix of materials. It makes use of laser carving technology that gives it two very recognizable aspects. The tread pattern gives it a strong grip on the road, while the side walls have a crossover look that blends effortlessly with the wheel's design. A part of the wheel blends seamlessly with the rubber, making the spokes look like it is bringing together different tire sections. All in all, it looks like the tires and the wheel are just one unit, instead of being separate.
Unique A-pillar
Another one-of-a-kind element you see here is the see-through A-pillar, further reinforcing the philosophy of blurring the boundaries between the interior and the exterior. The A-pillar makes uses of polycarbonate fins that are connected to aluminum components.
INTERIOR DESIGN
The cabin gives you two varied perceptions of luxury, echoing the dual styling nature of the rear and front wings.
The cabin’s front gives an air of driver engagement and sophistication, while the rear gives a more welcoming air. The rear reminds you of a lounge sofa that wraps into the rear doors, with all the room and comfort of an SUV.
Even with its different interpretations of luxury, the rear and the front are connected by the central axis console unit that looks like it is floating and covers the full length of the passenger cabin. Another point of connection is the transparent design of the front seat. On the other hand, you have the color scheme to delineate the different parts of the cabin, with the front portion darker than the back part.
The Interior: Deconstructed
Deconstruction is another key principle that was used in the Lexus UX Concept design. This is most readily seen in the cabin's front where instead of a traditional dashboard, you see angular forms that interact with each other and create a play of contrasts and shadows. Looking at these forms, you will find it difficult to see where one form ends and another begins. This makes it more mysterious and enigmatic.
This reflects a largely Japanese design approach. It uses converging lines to create a notional point and you just let your brain fill in the gaps. This takes advantage of the notion that you really do not need to see something to know that it is there, and it is at the center of the brand's L-finesse design motto.
But even with this deconstructed interior, you can still find the Seat in Control principle inside. Plus, the area surrounding the front passenger is now smaller, giving the driver more room and more control.

Seat Technology: A Breakthrough

The UX Concept employs a breakthrough seat technology called the Kinetic Seat Concept. This helps give the driver an enhanced driving experience and gives passengers a feeling of transparency and roominess. Check out the brand's press kit at the motor show for more information on the Kinetic Seat Concept.

3D Technology

The UX Concept has innovative HMI technology that gives the driver a three dimensional experience. This is just perfect for today's customers who are always connected. The 3D feel of the instruments makes use of the deconstruction techniques that are employed in the concept car, as the meters flow in and out. This styling makes the cabin space feel bigger.
For instance, the upper display appears farther away, making it easy to see it when one is driving. The instrument binnacle is where you would find the transparent globe that looks like it is floating. The hologram like globe displays both digital and analog information using a one of a kind but functional interface.
The center console also has a crystal structure that displays information related to infotainment and air conditioning. The information displayed on this faceted piece is very visible to both the driver and passenger.


PRESS RELEASE

Lexus UX Concept

“The biggest challenge for any designer is always to create something new and original, yet with relevance to both the customer and the brand. Overall, this is a product that gives another hint of the potential for Lexus’s design approach to satisfy those criteria; the expression of a progressive, strong, yet artistic and premium product which further enhances Lexus’s unique and challenging brand position.”
Simon Humphries, President ED2
The UX Concept powerfully reinterprets Lexus’s design signatures and reflects the brand’s determination that each of its models should have a unique, stand-alone character with a strong concept behind it, represented by its powerful, inside-out design concept and deconstructed interior styling.
This strong design is combined with imaginative, forward-thinking technologies to provide occupants with a fully immersive experience. This sensation is generated by cockpit ergonomics that flow from the driver’s body, and innovative, three-dimensional HMI technology.
The vehicle also features the first design execution of a breakthrough seat technology, the Kinetic Seat, designed by Lexus in response to a re-evaluation of the principles of car seat occupancy.
The Lexus UX Concept draws on Lexus’s unparalleled expertise in the SUV market. Lexus pioneered the SUV in the 1990s with the RX and LX, combining off-road capabilities with premium luxury for the first time in the auto industry. In 2004, the RX 400h became the world’s first premium hybrid SUV and in 2014 the NX mid-size SUV demonstrated how ‘utility’ can be combined with a striking design.
The premium compact SUV segment is growing faster than any other in the European new car market. With young customers upgrading in a quest for distinctive styling, a versatile interior and engaging driving experience, and with premium model customers looking to downsize without compromising on comfort, driving position and space, it is destined to become the largest part of the SUV segment.
The UX Concept highlights Lexus’s intention to attract an ever-wider group of new, younger, always-connected urban customers – ‘Urbanites’ – to the brand for the first time.
RADICAL COMPACT CROSSOVER PACKAGING
“Our brief was to create a new genre of compact crossover, a vehicle that could progress the user experience and create something unique from a customer’s point of view. Inspiration came from many sources, but principally from the key phrases representing the character of the car: “robust yet agile” and “in-and-out styling concept”. This comes from one of the Lexus fundamentals, the ‘Yet’ philosophy. We were looking for inspiration representing the synergy of contrasting values, in architecture, fashion design or nature, with a view to fusing lightness and structural, artistic and emotional values.”
Stefan Rasmussen, Exterior Designer, ED2
The UX Concept is a new kind of four-seat crossover which contrasts the almost brutal appearance and 4×4 presence of an off-roader with a low ground clearance and coupe-like driving position. This reinforces the promise of dynamic performance that’s embedded in the design’s compact packaging.
Unique ‘inside-out’ design concept
“The inside-out concept came from a lot of discussions within the team. We wanted to show the human-centric aspect of the concept in a visually as well as philosophically strong way. A strong symbiosis between the exterior and interior was felt to be important by all the designers involved. It was a key goal to create anticipation from the exterior, which could then have a visual link and expand into the interior.”
Alexandre Gommier, Interior Designer ED2
A futuristic ‘inside-out’ concept lies at the heart of the design, creating a strong synergy between the exterior and interior styling. In top-view, this is most strongly represented by an X-shaped movement in the architecture from the cabin outwards and vice-versa.
At the front, the wings flow seamlessly into the cabin to form housings for e-mirror screens that display images from door-mounted, rear-facing cameras. The top of the dashboard sits lower than these screens to combine a deconstructed look with excellent forward visibility. At the rear the bodywork again flows into the cabin, where it forms the main structure of the rear seat headrests.
The X-shaped movement from the inside outwards is similarly reinforced by the 4×4 style emphasis of the powerful wings; aerodynamically efficient wheel arch cladding adds a further dimension to the design.
Visible inner skeleton
The ‘inside-out’ styling theme is further emphasised by the wheel arches, roof bars and door cameras. They are all finished in the same material and represent a form of continuous, bone structure; the inner skeleton of the vehicle coming into view as, for instance, the roof bar penetrates the cabin – creating the A-pillar structure – and re-emerges as the door camera mounting.
Highly sculptural, fluid design
“We worked extensively in clay as well as with digital methods, not to be the most efficient, but to be able to achieve the best quality of surfacing and design. Having a highly skilled Takumi clay modelling team on the project allowed us to explore many ways to create the beautiful surface interactions that are a key element in this design’s muscular yet elegant boldness.”
Stefan Rasmussen, Exterior Designer, ED2
A further evolution of the Lexus spindle grille marks an important step forward, wherein the whole volume surrounding the grille, rather than simply the grille itself, creates the identity of the vehicle; it creates a more three-dimensional starting point which then informs the shape of the bodyshell.
These key external elements are linked together by a highly sculptural, sensual surfacing, reminiscent of a classic sports car. This architecture is unique to Lexus, the strong horizontal dynamic of the design achieved through volume rather than merely character lines.
This horizontal quality of the design is further emphasised by the length of the bonnet, while the peak of the cabin is deliberately set far back to create a dynamic, characterful profile.
Form-defining paintwork
Even the UX Concept’s body colour has been designed to emphasise the car’s shape. In the absence of character lines, the multi-layered depth of the new Immersive Amethyst paintwork serves to highlight volume changes, giving definition to the sculpture and expressing the car as a volume, rather than simply a line-oriented design.
Innovative design signature details
The ‘inside-out‘ concept is not only reflected in the overall design architecture, but also in numerous details throughout the vehicle, many of which represent a more challenging interpretation of Lexus design signatures.
The L-shaped daytime running lights, traditionally located below the main headlamp structures, have been positioned so that they pierce them. The rear lamp design has a strong three-dimensional treatment and is integrated in the rear spoiler. Together the front and rear lamps create a strong horizontal axis through the vehicle body.
Carrying the daytime running light principle further, light fibres which span the air vents in the extremities of the front bumper relate in form to the grille pattern. The grille’s mesh pattern itself spreads radially outwards from the Lexus emblem and is picked up by the adjacent light fibres, emphasising the car’s width and giving it an even stronger road presence.
Even the tyres – unique to the UX Concept – blur the boundaries of materials technology. A high-tech laser carving process is used to give the tyre design two distinct aspects. The tread pattern has a sports direction, maximising road contact to achieve dynamic grip, while the side wall projects a crossover feel with seamless integration with the wheel design. A section of the wheel continues into the rubber, so that the spokes form a visual joint between different sections of the tyre. The result is a reading of the wheel and tyre as one piece, rather than separate elements.
Unique, see-through A-pillar
A unique, see-through A-pillar is another example of how the boundaries between the exterior and interior are blurred. While a fully transparent polycarbonate A-pillar is feasible, the UX Concept uses polycarbonate fins attached to an aluminium member.
Two perceptions of luxury in a single cabin
The cabin offers two different perceptions of luxury within a single space, reflecting the contrasting external treatments of the front and rear wings.
The front section of the cabin represents agile sophistication and driver engagement; the rear, styled as a welcoming, soft lounge sofa that wraps around into the rear-hinged rear doors, provides the comfort and spaciousness of a robust SUV.
The front and rear are linked by a central axis console unit, designed with a floating effect and extending the full length of the cabin, and by the transparency of the front seat design. The differences between the two parts of the cabin are further reinforced by the interior colour scheme: the front is dark, to communicate a premium, driver-focused environment, while the rear is light and much brighter, to create an attractive and welcoming space.
Deconstructed interior
The second key principle employed in designing the Lexus UX Concept is ‘deconstruction’. This is most powerfully represented in the front of the cabin where, in place of a conventional dashboard, sharp, angular forms overlap and flow past each other to generate a strong interplay of shadows and contrasts, making it difficult to discern where they begin or end and reinforcing the mystery of the ‘inside-out’ approach.
This particularly Japanese approach to design suggests that, to create a fixed point, you simply have to indicate its notional position with converging lines; the brain fills the gaps to create the point in the mind. Such ‘indirect expression’ – the premise that you don’t actually need to be able to see something to understand that is there – lies at the heart of Lexus’s L-finesse design philosophy.
Within this unique, deconstructed interior, a strong ‘Seat in Control’ principle remains a Lexus brand signature. Furthermore, the area around the front passenger has been deliberately given less priority in the space hierarchy, in order to emphasise the driver’s control of the environment.
Breakthrough seat technology
The UX Concept’s seats are inspired by a new Lexus seat technology, the Kinetic Seat Concept. The aim is to further enhance the driver experience and the feeling of cabin spaciousness and transparency. The Kinetic Seat Concept is explained in detail in a dedicated chapter of Lexus’s 2016 Paris Motor Show press kit.
IMAGINATIVE 3D TECHNOLOGY
In a development of Lexus’s dual-zone instrumentation approach, all the UX Concept’s on-board HMI technology has been designed to provide an innovative three-dimensional driver experience, well-suited to progressive customers who live and work in an increasingly connected environment.
The strong 3D feel of the instrumentation is a further example of the radical deconstruction techniques used in the UX Concept, as witnessed in the in and out flow of the meters – near for air conditioning, far for navigation – making the cabin space feel larger.
For example, the upper display is projected in such a way that it appears to sit in the far distance, under the bonnet, making for easy viewing when driving. The driver’s instrument binnacle houses a transparent globe, which floats like a hologram, displaying a combination of analogue and digital information in a user interface that is functional, yet unexpected.
A faceted crystal structure is located in the centre console, providing a hologram-style display of air conditioning and infotainment information, clearly visible to both driver and front seat passenger.
Latest advances in electrical technology
The Lexus UX Concept also displays some of the latest advances in electrical technology, using electrochromatic windows and replacing conventional door mirrors with much slimmer e-mirror camera housings.
Left and right side e-mirror images are displayed on internal screens, integrated in a way that is not simply a design detail, but which informs the entire ‘inside-out’ deconstructed architecture of the dashboard.
All the switchgear is electrostatic and housed beneath transparent covers. The front seat passenger experiences the instrument panel in a different way to the driver, using a separate centre display track pad control built into the door armrest panel.
Finally, the fin motif of the A-pillar is repeated in a new audio experience targeting younger Lexus customers – a demountable sound bar built into the side of the dashboard.
A new approach to driving ergonomics
In a new departure for Lexus’s HMI concept, the cockpit area’s ergonomic design flows from the driver’s body, via the seat, up to the steering wheel, rather than from a traditional dashboard layout.

Ferrari takes the fuel-efficient route with the GTC4Lusso T







Recently, Ferrari has been on a more fuel-efficient route. For some, it may seem like this downsizing trend is keeping Ferrari from all the winning streaks it should be making at the racetrack but it too has some economic advantages considering the increasing gasoline prices.
The LaFerrari has been one of the first to be subjected to engine modifications thus adopting an energy recovery-based system that was first introduced on the HY-KERS concept car. The rest of the Ferrari range has also been subjected to engine modifications with most of the gang adopting turbochargers in the process.
This year, Ferrari will continue its downsizing trend and will be working on the GTC4Lusso T. The GTC4Lusso T will be the first four-passenger Ferrari to undergo this transformation. The “T” in its model name signifies that it is a lower-spec version of the turbocharged V12-engined GTC4 Lusso.
Just like the California T and the 488 GTB before it, the GTC4Lusso T will now have an optional 3.9-liter twin-turbocharged V8 engine. A variable torque program is also installed on the GTC4Lusso T to give the V8 a “more linear, naturally aspirated-like” behaviour by adjusting the torque output to fit with the gear for which the car is in. Although the V8 is less powerful than its original engine, it is capable of giving an output of 610 horsepower and 545 lb.-ft. torque which is just a 70-horsepower decrease (but a 30 lb.-ft. increase in torque).
Due to its smaller engine, the GTC4 T will have a lower curb weight; that is, this turbocharged Lusso is 110 pounds lighter than the original model and will now have a total dry weight of only 3,836 pounds. Now lighter than it has ever been, the GTC4 T can be as light as a feather when driven, with its weight distribution at 46:54 compared to the original 47:53 ratio.
Aside from its engine modification, the GTC4 T now features an enhanced aerodynamics, a larger trunk and defined/sharper edges. Its throttle response also has a remarkable change. However, it is only offered with a rear-wheel-only drive system due to a heightened weight bias on the rear leads. The GTC4 T can accelerate to 62 mph in only 3.5 seconds and has an estimated top speed of 200 mph.
The Ferrari GTC4 Lusso T will be unveiled at the 2016 Paris Motor Show. Ferrari is expecting worldwide sales of 10,000 units (3,000 units more than its planned number of units) once deliveries commence by the second half of 2017. Pricing is yet to be announced but we’re expecting it to be cheaper than the original Ferrari GTC4 Lusso.
PRESS RELEASE

SPORTY, AGILE AND VERSATILE: THE NEW GTC4LUSSO T

Following on from the success of GTC4Lusso, which raised the performance bar for Ferrari’s traditional four-seater V12 GTs, the Prancing Horse announces the arrival of the new GTC4Lusso T, the first four-seater to be powered by a V8 engine. Ushering in a whole new Ferrari Grand Touring concept, the car is aimed at drivers seeking a car that is sporty and versatile, as well as perfect for driving on a daily basis.
The new GTC4Lusso T is equipped with an evolution of the 3.9-litre V8 turbo which punches out a maximum of 610 cv at 7,500 rpm, guaranteeing powerful acceleration with maximum torque of 760 Nm available between 3,000 and 5,250 rpm. Despite such impressive performance, the GTC4Lusso T’s fuel consumption figures guarantee extended range, ideal for town driving or long trips.
Combining this powertrain with rear-wheel drive has resulted in significant weight-saving. Adding four-wheel steering to the mix gives the car additional agility and quicker responses. The rear-wheel steering system is integrated with the latest evolution of the electronic controls of the SCM-E suspension, ESP 9.0 and third generation Side Slip Control (SSC3).
ENGINE
Like every engine to come out of Maranello, the GTC4Lusso T’s V8 turbo has all the classic Ferrari power unit qualities: razor-sharp throttle response, blistering performance, continuous and powerful acceleration at all speeds, an exhilarating soundtrack and compact dimensions. Mounted low down in the chassis, it helps sharpen driving dynamics.
The car’s V8 is the latest evolution to emerge from the engine family that was named the 2016 International Engine of the Year. The 3,855 cc power unit is both compact and efficient, developing 610 cv at 7,500 rpm, resulting in a specific power output of 158 cv/l, the highest in its category. It is also responds instantaneously to the throttle delivering increasingly powerful acceleration (760 Nm of maximum torque between 3,000 and 5,250 rpm) while optimising fuel consumption.
This class-leading performance is achieved by the adoption of new pistons and con-rods in high-resistance aluminium alloy to maximise pressure inside the combustion chamber, new more linear high- and low-pressure air ducts in the intake system to minimise losses and a new intercooler to increase air cooling and minimise fluid-dynamic losses.
The instant throttle response typical of Ferrari V8 engines is guaranteed by a flat-plane crankshaft, compact turbines featuring twin-scroll technology and a three-piece cast exhaust manifold and turbo housing, the former with equal-length pipes to optimise pressure waves in the turbine.
The car’s excellent performance across the entire rev range, on the other hand, is the result of intensive research into maximising combustion efficiency. The solutions adopted include high-tumble intake manifolds, specifically shaped to improve air entry to the combustion chamber, an ion-sensing system with adaptive ignition and multi-spark functionality which optimises combustion both under high and partial loads across the engine’s rev range. Optimised mechanical efficiency is guaranteed by a variable-displacement oil pump that supplies oil at either high pressure or low pressure, reducing the hydraulic power requirements by up to 30 per cent compared to a conventional pump, and a valvetrain with roller finger followers to reduce the power absorbed by 10 per cent at low revs.
One of most innovative features of the GTC4Lusso T’s V8 is Variable Boost Management, a control software that adjusts torque delivery to suit the gear selected, delivering increasingly powerful pick-up as revs rise, whilst optimising fuel consumption. And all without impinging on driving pleasure. As the car goes up through the gears (from 3rd to 7th), the amount of torque delivered by the engine increases all the way up to 760 Nm in 7th gear. This has allowed Ferrari to adopt longer gear ratios in the higher gears to the benefit of fuel consumption (the car’s range is, in fact 30 per cent more than the V12-engined model).
In line with the finest Ferrari tradition, the GTC4Lusso T has been given its own unique and utterly unmistakable soundtrack. In addition to the flat-plane crankshaft, which synchronises engine firing, and equal-length exhaust headers which equalise the sound, the exhaust line now features a new central section along with a larger-diameter silencer.
VEHICLE DYNAMICS
When Ferrari’s engineers decided to adopt a V8 turbo engine and rear-wheel drive for the GTC4Lusso T, their aim was to modify the vehicle dynamics to give a sportier feel that was coherent with the handling characteristics laid down by the V12 version. A combination of the car’s lighter overall weight and increased weight bias towards the rear (46:54%) allowed the adoption of a specific set-up for the 4WS and SCM – E control systems. These ad hoc vehicle dynamic control systems ensure the GTC4Lusso T feels more nimble and has reduced roll. The feeling of longitudinal performance is enhanced at low speeds by Variable Boost Management.
In press-on driving, the 4WS (rear-wheel steering) helps provide a sharper response to steering wheel inputs, both entering and exiting corners, thanks to the fact that the rear wheels steer in the same direction as the front ones.
The Magnaride SCM-E damper control system is the same as on the GTC4Lusso and represents the state-of-the-art in control algorithm development. On the GTC4Lusso T, body control is governed by a control model adapted to the new car’s weight distribution and suspension characteristics, and which optimises the tyre contact based on the sensitivity to vertical frequencies.
The response time between front and rear axles has been cut by 6.5 per cent while the steering wheel activity is down 2.5 per cent. As with the GTC4Lusso, the rear-wheel steering makes it easier for the car to be driven on the limit by making the latter more predictable and easier to control.
The Side Slip Control 3.0 (SSC3) system dialogues with all the GTC4Lusso T’s components and vehicle dynamics controls. It is thus able to adapt the car’s behaviour to suit differing dynamic and grip conditions. Through the information it receives from all the body sensors and the grip estimation, the SSC3 delivers a real-time estimate of side slip to all onboard systems, which means the car’s behaviour is more precisely tailored to the various dynamic situations it encounters.
The integration of the F1-Trac and E-Diff electronic differential optimises traction and torque delivery to the outside and inside rear wheels. This system also makes the car more driveable on medium grip surfaces.
The five Manettino positions (Ice, Wet, Comfort, Sport, ESC OFF) underscore the potential of the car’s architecture and vehicle dynamics controls, particularly the rear-wheel steering and electronic differential (E-Diff). The combined effect of the two systems is that torque is efficiently split between the two rear wheels, controlling slip when the rear wheels are on mixed grip surfaces. The rear-wheel steering makes turning in, cornering and exiting corners more effortless, by making yaw angle more predictable with an instant reduction in the amount of steering wheel correction needed and its frequency.
DESIGN
Designed by Ferrari’s Styling Centre, the GTC4Lusso T maintains the same innovative take on the shooting brake coupĂ© as the V12 version, reinterpreting the concept with an extremely streamlined, tapered shape that gives it an almost fastback-like silhouette. The cabin is an effortless melding of sophisticated elegance – seen in the artisan quality of the prestigious hides - and the high-tech, sporty aspect of the metal or carbon-fibre components mainly found in the human-machine interfaces.
The GTC4Lusso T features the unique Dual Cockpit architecture, designed to enhance the shared driving experience for both driver and passenger. It also incorporates the latest iteration of the infotainment system complete with an impressive 10.25” HD capacitive touchscreen.
Available to order are specific tailpipes and 20” forged wheels developed especially for the V8 model with a very dynamic design.

Peugeot 908 RC: Luxury and power for the environmentally conscious driver











Peugeot 908 RC is a sports car which gets its power from a Peugeot V12 HDi DPFS engine. ‘RC’ denotes the car’s sporting appeal and links to the RC concept cars which made their first appearance for Honda in 2002 and as such, had heavily influenced the design and feel of the 908.
The impetus behind the design was to produce a luxurious vehicle that offered charm and sophistication. This four door vehicle is both practical and impressive, offering comfort with its design as well as environmental protection. Powered by a diesel particulate filter system engine, the V12 HDi DPFS was designed with the Le Mans Race Series programme (2007) in mind.
With a 5.5 litre capacity, a top power output of over 515 kW, and outstanding torque greater than 1,200 Nm, it certainly lives up to its racing potential. This is in part achieved due to the engine’s low centre of gravity. Using a 100-degree V shaped angle, the engine sits low on the ground maximising aerodynamics and grip control.
However, with environmental matters in mind, the twin exhaust system has two particulate filters to reduce carbon emissions. What is interesting about the design of this vehicle is the fact that the engine is located in a rear central transverse position.
The design is compact and there is a six speed electronically controlled sequential gearbox. Located under the engine, it has been intentionally adapted to enable the vehicle to deal with the impressive torque. As the power train has been relocated behind the final drive assembly, space has been saved to enable the creation of a large boot.
Its new position also means space is saved internally also at the passenger’s side. This new location enables the driving position to move forward, benefitting the driver and increasing the glazed front windscreen capacity to 3m2. The V design and glass front allow both the driver and passenger to feel as close to the road and surroundings as possible.
The views from the windscreen are unobstructed and give the occupants a feeling of space and openness and provide the driver with an excellent panoramic view of the road. The vehicle appears to skim the road as it is low lying with a stylish tapered effect. The frame sits on massive 20 spoke alloy wheels which set off the attractive design of the vehicle. The interior design technology matches the impressive exterior of the 908 RC.
The lighting accentuates the interior design whilst the functions of the vehicle are accessed through a large touch screen making everything centralised. With the positioning of a multimedia screen on the centre console parting the two rear seats, back passengers can also access the infotainment system. Peugeot has used materials and trim to a high standard, continuing the impression that this vehicle is something special.
Following Peugeot’s established history, the 908 RC is a unique and individualised design concept which was the brain child of the designers at the Peugeot Design Centre. With an emphasis on saving weight, the vehicle is constructed from pre-impregnated carbon composite and vacuum polymerised aluminium honeycomb structure. The interior sub frame is tubular in shape and supports the engine and suspension.
The vehicle has a double wishbone type suspension taken from the 407. Both the front and rear of the vehicle sport a novel drop link design. The fast moving vehicle is brought to a stop by four Monobloc ceramic carbon composite discs which are both lightweight and thermally efficient. It has Michelin Pilot Sport tyres PS2 255/35 R20s at the front and 285/30 R21s at the rear. The 908 is targeted at the more sophisticated driver who expects exceptional performance and luxurious quality.

Mercedes-Benz Vision SLA Concept









Hoping to provide the best driving experience, Mercedes-Benz presented a new roadster concept — the Vision SLA – in 2000. The 3.77-meter long, open-top, two-seater vehicle is innovated with Mercedes-Benz’s A-Class technology, which is perfect for everyone who dreams of high performance and elegance combined.
The youthful touch of the Vision SLA is the perfect match for spontaneity. It was deemed to be the perfect companion for every getaway. Its curves and its arrow-shaped front with the famous Mercedes-Benz emblem highlight its sporty yet classy dynamics.
Undoubtedly, the compact Vision SLA provided proof that Mercedes-Benz is capable of creating a design that fits its other models from different vehicle classes.
The elliptical apertures of the hood’s wing profile have powerful xenon projection headlamps behind them, featuring both low and high beams. The production team also employed LED lights on the outer ends of the wing to serve as signal lights.
INTERIOR DESIGN
Roadsters are known to adapt to a very minimal interior by focusing on the essentials: steering wheel, two chronometer-designed cockpit instruments, gearshift lever, and a number of switches on the center console.
Transparent perforated metal structures, primed metal surfaces, and matte aluminum are all that it takes to complete the driving experience that focus on class and simplicity. The carbon seats, floor and door panels are covered with naturally-processed saddle leather, raising the bar for comfort and style.
POWERTRAIN
Model Series Drive Components and Axles There is so much under the hood of the killer roadster. The Vision SLA is the perfect epitome of the saying, “small but terrible.” The 1.9-liter engine of the A 190 allows the Vision SLA to accelerate up to a maximum speed of 209 km/h and attain 92 kilowatts/125 horsepower.
The roadster can consume about 7.10 liters per 100 km. Moreover, the front and rear axle of the Vision SLA are also adapted from the Mercedes-Benz A-Class.

Lightweight Bodywork

Weighing only 950 kg, the Vision SLA is made up of two lightweight materials: aluminum and plastic. The loadbearing parts are mostly made out of aluminum but most of the outer shell is made of high-quality plastic material.
Furthermore, the roadster’s safety system was also inspired from the Mercedes-Benz A-Class. The drive unit adapted an oblique position to ensure that it slides below the vehicle in the case of a serious head-on collision.
This design allows the interior to be left mostly undamaged. Aside from this, the Vision SLA also has belt force limiters, seat belt tensioners, and airbags.

BMW mixed old with the new in creating Mille Miglia Concept







There was great excitement at Brescia Italy on May 10, 2006 as BMW revealed its new concept vehicle --the 2006 Mille Miglia. Taking its influence from already iconic BMW stock such as the world-established BMW 328 and the BMW Z4, the Miglia is sure to be a bright spot in BMW’s continuing success story.
The Mille Miglia first breathed new life back in 1977 when it was revamped to compete in an exclusive annual rally which was organised to celebrate the vintage race cars that competed from 1927 to 1957. BMW was well represented with a grand total of 22 vehicles entering the rally this year. The Mile Miglia also shares similarities with the BMW 328 Millie Miglia Touring Coupe. This sporting vehicle made an entry into the world record books at the race in 1940.
But the Mille Miglia combines old with the new and with a modified suspension and drivetrain from the new Z4 M Coupe, there is no doubt that the vehicle is powerful and responsive at the same time. Bespoke 20-inch alloy wheels sit in the centre of 245/40 R 20 tyres.
The vehicle has been lowered by 4 centimetres (cm) and the frame has been elongated by 23 cms. The concept car uniquely balances its vintage heritage with modern day BMW influences to create a design of beauty and interest. Keen to ensure its continued sporting prowess, this latest BMW is a worthy contender in the race car arena. Taking a step back to the 1940’s, the record busting BMW 328 Mille Miglia Touring Coupe knocked out an impressive average speed of 166.7 kmh over the duration of the 1,000 mile course.
This record of the fasted average speed for any Mille Miglia remains intact today. The BMW 328 first came on the seen in 1936 when it won its class in virtually every race from 1936 to 1940. It saw continued success in the 1940s and 50s too, thereby securing the reputation of the BMW 328 as a household name. By 1940, the BMW 328 Mille Miglia Touring Coupe won the Mille Miglia race and its prowess was proven again in 2004 in the modern day vintage race, proving that 64 years on, it still had the power to win races.
Back in the day when the BMW 328 Mille Miglia was first designed, the team did so using models. Despite our dependence on modern technology today, the concept design team was keen to follow the traditional practices and also used models as the main way to design this latest concept car.
The engine of this concept coupe is taken from the BMW Z4 M Coupe which has won awards for the engine. The six-cylinder in-line petrol engine has been modified to give the vehicle a meatier sound when it’s idle or being raced around the track. This was done by adjusting the inlet and exhaust systems of the 343 hp unit.
Besides modernising the interior, there have been no fussy additions. Following the examples of the Z4 production cars and the 328 racing cars, the interior is uncomplicated using a combination of lycra fabric, thin stainless steel (weight saving) and natural cowhides. Impressively, laser technology was used to emboss badges and branding into the materials. Put simply, the concept car is light, fast and uncomplicated.
EXTERIOR DESIGN
During the designing of the BMW Concept Coupe Mille Miglia 2006, the team rejected the normal method of clay modelling in favour of the more traditional plaster models.
This meant that the design team were more directly involved and very much hands on. This level of commitment from the design team illustrates the passion and artistic input that goes into creating such vehicles, and it is this personal touch that can sometimes be lacking in computer generated designs. The concept car has a hinged hard top roof which reflects back to Le Mans where there was a change in the rules.
Racing cars went from a soft top to a hard top design and the race was opened up to include more cars. This development led the way for the 328 Touring Coupe. Originally a roadster, the vehicle was redesigned to become a lightweight, aerodynamic race car. Following a similar pattern, the Z4 Coupe was designed from the Z4 Roadster.
The soft top design went on to influence the Z4 M Coupe Racing Car. Whilst the hinged roof mechanism is in keeping with the traditional influences of the vehicle, it also serves to avoid excessive weight that a door would cause and this ensures the overall structure is solid and durable.
The chassis is lightweight and the latest designs were used to extend an aluminium shell over the lattice frame, making the vehicle even lighter. The body is made of a combination of reinforced plastic (CFRP) and carbon-fibre. Looking back to the vintage racing years, the vehicle is painted with a full gloss silver colour with fine pigments that give that traditional classic silver look.
The concept car has copied the distinctive and large circular headlamps of the 328, but with a twist, the LED headlamps are attached as flat elements instead of being integrated into the body of the vehicle. The look is a smooth bonnet and side panels. Keen to continue the motoring success of previous years, the concept design team applied the latest aerodynamic techniques to ensure maximum performance and control. The side panels and rear part of the vehicle have been sculpted to direct turbulence free flowing air to the rear where the airflow is then dispersed.
Diffusers on the front and rear aprons and underbody fins, all made of carbon fibre, also support the aerodynamics of the vehicle. Air intakes in the shape of a z line are positioned on the A pillars to ensure a constant stream of cool air to the six-cylinder in-line engine. This generates a downforce which helps to counterbalance turbulence in the wheel housings.